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How I knew Trump would win
I’ve been wrestling with thoughts about what it means to be a progressive in MAGA country who saw it coming. The inner conflict, the feelings, the divided loyalty… You just can’t win.
Someone recently asked Beau of the Fifth Column if he expected Trump to win in 2016 . Beau, who lives in Florida and is as rural a Southerner as they come, said no, he “didn’t think it could happen here.”
I was a little surprised, because I did know. I didn’t know at first, but by November 2016 I knew.
One night I jolted awake thinking, “Oh my God, we’re gonna do it again aren’t we?” Horror, dread and grief washed over me.
“Why must we always sign up to be the bad guys of history?” I thought. “They use us for power and money and leave our culture in shambles? Why do we do it?”
Shame over the past masquerading as pride…
Interesting that I thought “we.” I spent most of my life trying not to be country, or Southern, or redneck – as if I wasn’t raising hell on the back roads as a young man, just like my snuff dippin’ beer drinking friends. Who exactly did I mean by we?
Like Beau, I came up in the country. Not as country as him, but close. Texas isn’t exactly “The South,” but we’re kissing cousins. We once waltzed into a meatgrinder together on behalf of The South.
I knew Trump was going to win. Maybe because I was a newspaper reporter who covered small towns for 20 years.
Or perhaps it was because I’d quit wanting talk to people I considered close as brothers over the hateful things they said on Facebook, and got the cold shoulder from others over my anti-Trump memes.
I had an inkling that we were headed in a bad direction during Obama’s presidency. I was hearing more racist jokes. Infowars turned up at a boring ass economic development meeting, shouting conspiracy theories. Tea Party members almost scuttled plans for a college campus our poverty-stricken town needed desperately.
I felt dread when Hillary got the Democratic nomination, Hillary who was synonymous with Coastal Liberal disdain in my part of the country, going way back to Rush Limbaugh. Rush used that very hook to fool me at first: “We’re nothing but ‘flyover country’ to them.”
I knew because Coastal Liberals who chose Hillary over Bernie didn’t know how badly the well was poisoned against her or didn’t think it mattered.
I knew when Hillary made the fatal mistake of uttering the words, “basket of deplorables.” And didn’t seem to know it was a mistake – or care.
I still voted for her in the general. She would’ve been so much better for America – and the South, whether they knew it or not. Almost anyone would’ve been better. But I knew my neighbors.
I knew because wealthy Coastal Liberals who have controlled the Democratic Party, as well as naive city liberals who supported them didn’t understand how they are perceived and don’t know how to talk to us without stepping on every cultural tripwire.
I knew because Trump might be a buffoon, but he’s a talented conman. I interviewed a local conman once and I learned how it works: Find out who your mark hates and you can take him for every penny.
Liberals were sure they were going to win because they had a better candidate – they did. Anyone would have been better. But future MAGA knew the Democratic Party didn’t care and Trump (who also couldn’t give a shit but pretended to care) got to them first.
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Risky sincerity coming soon…
Couldn’t write a thing for a few days thanks to my shingles vaccine. The microchip doesn’t play well with the Covid version apparently 😉
But I felt well enough today to write another one of those drafts that sits in the app, 90 percent done waiting until it’s just right or chickening out. I don’t want to be seen as someone I’m not, but I have thoughts. So I write drafts…
I’ve seen some signs that more people are craving the real, the sincere. Maybe I can get in on that early and catch the wave.
Still it’s risky to be sincere on the Internet, especially when you’re between tribes like I am, trying to grow and stay out of boxes.
I have some sincerity lined up for tomorrow. Maybe folks will be charitable with me. I’m going to talk about being a progressive in a MAGA state, and why I saw it coming.
I don’t have any answers, but I know that we’re not going to get anywhere if we can’t talk. So tomorrow I talk.
The Internet feels like End Stage Tower of Babel these days. Even when you think you share a language, you don’t.
Maybe it won’t stay that way. Maybe people will take me as sincere and return the favor. Like I said, rays of hope.
Still I better give that draft another once-over in the morning.
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Discovering Karnatak culture
Varaha Roopam from the soundtrack of Kantara.
I’m so overwhelmed, I don’t even know where to begin. I was going through YouTube, looking for interesting traditional music from around the world and discovered the arts and music of Karnataka, a state in the southwestern India.
Om Shakthi Jai Shakthi – Ravi Raj Karadi and team Beemsandra Tumkur. The video that first grabbed my attention. The costumed dancers are depicting the goddess Durga in her angered form, about to vanquish the evil lord Mahishāsura. This is part of the story of how the evil asuras Chunda and Munda were slain by the goddess Kali. (Thanks to a friend on Mastodon who filled me in.)
Some of it I loved right away. Some is so different from what I’m familiar with, I can’t tell yet. All of it fills me with awe. The variety of rituals, the complexity, the way everyone there seems to be involved.
I’ve never experienced anything like that kind of depth of culture. One thing in particular that blows me away is the theatrical art of Yakshagana. Through acting, singing, dancing and elaborate makeup, participants tell stories from history and religion.
Yakshagana – Bheeshma Vijaya 2
Vocal percussion tradition Konnakol is an art form I’m still trying to tune my ears to. One thing is for sure, this takes a TON of skill and training to pull off. Beyond impressed.
V Shivapriya & BR Somashekar Jois – Konnakol Duet
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Maybe the King in Yellow is real?
I had forgotten, but this video jogged my memory. Interesting story collection that I might read again soon.
I first came across the name, The King in Yellow, in the Blue Oyster Cult song, “ETI,” just a brief reference: “The King in Yellow, the Queen in Red…” But I loved BOC and always wondered what all their symbolism referred to. Who was The King in Yellow?

Sometime in the ’90s, I decided to find out. I read The King in Yellow, a short story collection by Robert Chambers that refers to a play of the same name that drives everyone mad who reads it. Like a mind virus.
I thought it was a pretty cool conceit. I wonder if it might have inspired Infinite Jest, David Foster Wallace’s novel about a video so addictive people rewatch over and over until they die.
When I opened The King in Yellow, I couldn’t help thinking, “what if?” Same delicious forbidden fruit feeling I got when I listened to heavy metal as a religious teenager. I didn’t think it was devil music, but it still felt like I was taking a risk.
Blue Oyster Cult – E.T.I.
I remember “Repairer of Reputations” in particular, where Hildred reads the play while recovering from a head injury and becomes convinced the spread of the play has prepared the American people to reestablish Lost Carcosa and make him king. Like something was manifesting into reality.
I’ve had that feeling before, like if you just knew how, you could pull some of that dream stuff out into the world and make it real. I think of it as “the dragon’s whisker.” I know you really can’t. But it FEELS like it.
The play in The King In Yellow used to just seem like an interesting device. No way reading a creative work is going to make you crazy and mistake fantasy for reality.
Then it occurred to me. The Internet does that all the time.
In one way, the Internet is exactly like Infinite Jest, so addictive you can’t stop looking at it, even as your life falls apart. But perhaps the King in Yellow is an emerging inhabitant of the Internet, trying to be born.
He lures you in with that first act, then breaks your mind in the second act, tells you how important you are, has you pining over imaginary empires and your place in them.
That was just stoner brain talking, but now I’m kinda spooking myself.
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Travelers and the ethics of sacrificing others
I’ve decided what I think makes the Netflix Show Travelers so interesting. It’s a time travel story, but really it’s a story about the ethics of human sacrifice.

The fact that the time travelers arrive in the 21st century by taking over other people’s minds, sets the tone right away.
They take the high road by (mostly) taking the minds of people who are about to die, but that’s a rather weak justification.
They area clearly trying to do the right thing, but they are still playing a hardcore game of Trolley Car Problem.
You know, the dilemma where one person is tied to one track, five people to another. You can throw a switch and kill one or do nothing and five will die. Which is the moral choice?
Travelers raises the stakes even higher. Which and how many individuals must be sacrificed in the past to save humanity in the future?
We make similar decisions in the real world. We can’t know the future, so there’s no way to justify the sacrifices of others that our society makes for supposedly greater cause. But we sure try don’t we?
The Director is in a better position than we are. It can know the future, sort of. But because it exists in multiple timelines, it can’t base its decisions on certainty, only probability. It’s very smart and it means well. But it makes mistakes, so do its operatives.
There’s no way to “win” the trolley problem. You have to make a bad choice. But you know the main characters are the good guys – because they’re the main characters.
Just like all of us. The stakes might not be as high as they are in Travelers, but everyone gets into damned if you do, damned if you don’t situations.
We also know when we didn’t really have to make that bad choice… But we know we’re the good guys – because we’re the main characters.
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Musician Farya Faraji – evangelist for authentic folk culture
I have to talk about this guy: Farya Faraji. I really like his attitude.
He’s a singer, musician and a composer, but more than that, he’s an evangelist for culture. Persian music, Greek, Turkish, Balkan, Byzantine, lots more. They all get handled with skill and respect…
“My goal is to showcase musical traditions from all over the globe, regardless of culture, ethnicity and religion,” he says on his About page. “I want this channel to be like a musical world museum, a library of musical traditions from all over the world and all over time.”
I think he’s right. The world is hungry for this sort of thing. Real culture. Real roots. Everybody’s. Something that connects us to the parts of our culture the modern world threw away.
I like that he’s trying to give us a taste of the real thing, real culture and not the Hollywood corporatized version of culture. I approve. He’s already taught me a few things. I didn’t really understand just how Hollywood our concept of Greek music is.
I’ve always thought of Greece as Eastern, but not THAT Eastern. It has also caught me off guard, hearing Greek music that sounded Middle Eastern, but what he says makes sense. Cultures in close proximity to one another are going to have things in common. Greece is a lot closer to Persia than it is to England. What else would it sound like?
I hope his channel really takes off. I hope to see similar projects from other musicians. I’d say Peter Pringle is a good example, taking us WAY back, to the Mesopotamian cultures.
So many of us have forgotten how precious culture is. We’ve lost touch with the earth. We need to appreciate music that comes from the roots – our roots and everybody’s roots. Stop getting riled up over other generations’ wars and just enjoy the music.
I say this as an American Southerner who wishes he’d listened to his great uncle play the fiddle when he had the chance.



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